Imbi Davidson

b. 1978, Adelaide, South Australia
Lives and works in Corndale, NSW

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Imbi Davidson, Artist Portrait, 2021

Imbi Davidson, Artist Portrait, 2021

 

Imbi Davidson is a visual artist living in the Northern Rivers region, New South Wales. Her work explores the interstices between painting, landscape, plants, textiles, abstraction and mark making.

Imbi's work is largely inspired by the experience and memory of the Australian landscape, finding expression in its myriad forms, patterns, patinas, contours and colours. Her abstract paintings are intuitive responses to these multiple elements, overlaid with juxtapositions of opaque and translucent layers, interspersed with expressive marks of wild colours.

Working with a range of mixed media from blood, rock, earth, pigment, paint, water and plants, Imbi is fascinated with found objects and paints on recycled objects, canvases, boards and surfaces.

Imbi was awarded an Australian Post Graduate Award to complete her Masters of Visual Arts, researching the art of native plants in Australia, with a focus on Indigenous and abstract representations of plants and the landscape. Her MA Thesis, The Casuarina Tree - Visual Translations of Native Plants and Art in Australia (2012), is catalogued in the National Library of Australia. Imbi was awarded an Australia Council Emerging Artist Mentorship Grant, to work with artist/ mentor India Flint.

Read In The Wind, an exhibition text for Imbi Davidson Chaos Theory, 2021

Read Exhibition essay, House of Cards, 2022

Read Exhibition essay, Spectrum, 2023

Imbi Davidson, Bedrock, 2023, acrylic and mixed media on board, 140 x 120cm

 

Imbi Davidson, Ophiuchus, 2023, acrylic and mixed media on board, 140 x 120cm

 

Imbi Davidson, Flight, 2023, acrylic and mixed media on board, 100 x 122cm

 

Imbi Davidson, Camouflage, 2023, acrylic and mixed media on board, 100 x 122cm

Imbi Davidson, Phosphene, 2023, acrylic and mixed media on board, 100 x 122cm

Imbi Davidson, Key Stone, 2023, acrylic and mixed media on board, 100 x 122cm

Imbi Davidson, House of Cards, 2022, Jennings Kerr, Exhibition view Ashley Mackevicius

Passage, 2022, recycled paint on board, 104 x 120cm

 

Portal, 2022, recycled paint on board, 104 x 120cm

House Of Cards, 2022, Jennings Kerr, Exhibition views by Ashley Mackevicius

Imbi Davidson, studio documentation, 2021

Imbi Davidson, studio documentation, 2021

 
Social Anxiety, 2021, recycled paint on board, 100 x 120cm

Social Anxiety, 2021, recycled paint on board, 100 x 120cm

Birthing Mother, 2021, recycled paint on board, 100 x 120cm

Birthing Mother, 2021, recycled paint on board, 100 x 120cm

Creation Story, 2021, recycled paint on board, 100 x 120cm

Creation Story, 2021, recycled paint on board, 100 x 120cm

Studio documentation, 2021

Yellow Brick Road, 2021, recycled paint on board, 100 x 120cm (detail)

Yellow Brick Road, 2021, recycled paint on board, 100 x 120cm (detail)

 
Yellow Brick Road, 2021, recycled paint on board, 100 x 120cm

Yellow Brick Road, 2021, recycled paint on board, 100 x 120cm

'In the studio, I allow the work to unfold unconsciously in a furious, emotive and sometimes hectic manner, riding the fine line between complete chaos and intuitive order. Often the works are mysterious and I feel like there is no control, yet upon reflection, clarity and cohesion emerge in unpredictable shapes and forms. It is a strange alchemy and beautiful chaos.”

Imbi Davidson, 2021

Red Sonja, 2021, recycled paint on board, 100 x 120cm

Red Sonja, 2021, recycled paint on board, 100 x 120cm

Wild Fires & Silent Sex Crimes, 2021, recycled paint on board, 100 x 120cm

Wild Fires & Silent Sex Crimes, 2021, recycled paint on board, 100 x 120cm

The Butterfly Effect, 2021, recycled paint on board, 100 x 120cm

The Butterfly Effect, 2021, recycled paint on board, 100 x 120cm

Grabbed by the Pussy, 2021, recycled paint on board, 100 x 120cm

Grabbed by the Pussy, 2021, recycled paint on board, 100 x 120cm

Imbi Davidson, Chaos Theory, 2021, Exhibition views, Photography by Ashley Mackevicius

 
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